Animation and real-time production with Unreal Engine.
11+ years bringing stories to life in 3D — now also taking them to broadcast, AR and virtual production.
Watch full reel on Vimeo ↗I started animating characters more than 11 years ago. I still do — only now I also build the tools and effects that bring those stories to life in real time, with Unreal Engine.
I started out freelancing in 2014, working on series, video games and audiovisual projects across studios in Europe. In 2022 and 2023 I went through Epic Games' Fellowships — Storytelling and Animation — and that's where I found the push I needed to bring everything I'd learned as an animator into real-time production. Since 2024 I've been working at MR Factory (Mediaset/Telecinco), where every day mixes animation, VFX and Blueprints in service of a live broadcast: a context that doesn't forgive theory and demands fast, practical, well-executed solutions. It's by far the challenge I enjoy most in this second half of my career.
This is my foundation. I've spent more than 11 years animating characters for series and video games — Game of Thrones, Happy!, Pocoyo, Sackboy — building a solid freelance career on visual storytelling and animation craft.
As a Technical Artist I bring rigging, control rig, simulations, VFX and materials to real production, with functional Blueprints to solve concrete needs. I apply this daily at MR Factory (Mediaset/Telecinco), including integration with broadcast systems like Vizrt/Viz Arc.
Portfolio
A selection of 3D character animation projects for series and video games, plus real-time production work with Unreal Engine.
TV series · Season 7 · El Ranchito · 2017
I animated White Walkers and skeletons to digitally replace real actors while keeping the scene's original wardrobe — a rotoscopy-like process with millimetric precision over live-action reference.
TV series · Axis Animation · Seasons 1 & 2 · 2017 / 2018–2019
Character animation for both seasons of the series, in Glasgow and London.
Children's series · Season 4 · Zinkia · 2016–2017
Character animation for the series.
Video game · Sumo Digital · Freelance · 2019–2020
Gameplay Animator, animation of the final boss and several NPCs.
Animated series · Wild Child Animation · Freelance
Character animation as a freelancer for the production.
Marketing cinematic · Plarium · 2022–2023
I formed and led a freelance team to produce the game's marketing video: 3D character upgrades, cinematics, animation, previs and final composited render, start to finish.
Marketing cinematic · Plarium · 2022–2023
I formed and led a freelance team to produce the game's marketing video: 3D character upgrades, cinematics, animation, previs and final composited render, start to finish.
Skills
What connects both: fast learning and curiosity to figure out any new challenge.
Experience
Keyframe — 3D animation and the fundamentals of the craft.
Web series Pet Parade and TV series Conni (B-Water Studios); Eurofighters spot for Movistar+ (USER T38).
TV series Niloya, film Heriberto y Demetrio, and Jingliks.
3D animator on season 4 of Pocoyó.
Season 7 — digital replacement of actors with 3D White Walkers and skeletons.
Lale Ki Lolu (Ouo Time) and Happy! Season 1 (Axis Animation).
Snail Trail (Baby TV, via Ouo Time); 2001: Sparks in the Dark and the documentary 3D2D Frente (TCM) for Bwater.
Character Animator on Happy! Season 2.
Gameplay Animator, animation of the final boss and several NPCs.
Wind in the Willows (Wild Child Animation) and other parallel projects, in and around Madrid.
Formed and led a team to produce marketing cinematics for Raid: Shadow Legends and Mech Arena, start to finish.
Intensive training in Sequencer and the correct production pipeline in Unreal Engine.
Reinforced knowledge and a deeper overview of how Unreal Engine works.
UE Tech Artist & Animator — VFX, Blueprints, materials, rigging, broadcast/AR/virtual production integration.
Contact
Open to freelance, consulting and full-time projects.
or write to me directly